The 2016 election news kept coming in. . . . I was aware that my fear was not balanced or… Read More
This interview was conducted by Maxwell Taylor-Milner in Nichole van Beek’s studio in Ridgewood, New York on June 13th, 2017.
MTM: To begin at the beginning, something you’ve alluded to in the past are pieces that were more photo driven. I’ve seen some pieces from 2010 that had photographs with patterns overlaid on them that seemed to be connected to your current paintings but I was wondering if you could talk about those early pieces and the transition from using images to working solely in paint.
NVB: I think I’ve always flipped back and forth between doing photography and drawing or painting by hand–all through undergrad and then after. But as an undergrad, I had this idea that I had to learn a technical skill, so I put a lot of emphasis on learning photography and video. I was also doing computer animation at that time but I went to art school because I loved to draw and paint.
A Letter From Under the Water
If you were my friend,
Would you help me, then?
To break the bond,
To which we put an end?
If you were my dearly love,
Would you help me again?
To finally soothe my pain,
And free my soul from all above? Read More